Chipmunk

Look hard and you can see the tiny chipmunk on the left side of the tree stump. We saw him last time we went to the mountains.

New film downloads in the shop

I have just added HD downloads of the Hot Aches Productions films to the shop. So now you have a cheaper and more instantaneous way to watch the classic climbing films: The Long Hope, The Pinnacle, Committed 1, Committed 2, Wideboyz, Odyssey and Monkey See Monkey Do. You’ll find them all here.




The DVD options are still there too of course...

Nathan and Daryl in the Tournament

After watching these two play this last week, I knew that they would do well.

I would not have wanted to be playing against them.

They played tough, fierce games against the competition.

They ended up in the championship game. They won their bracket. Woohoo! WTG, guys!

Getting to Know You

As someone who is interested in experiencing a variety of bicycles and sharing my impressions with others, I find myself constantly re-examining the question of how long it takes to get a "proper" impression of a bike. When I test ride a bicycle, the experience is different on so many levels from when I own the bicycle and ride it in on a daily basis. There are discoveries I make about bikes months into owning them.



Also, when I own a bicycle - even if it's one of my "experimental bikes" and I know from the start that I will probably end up selling it eventually, there is something about the personal responsibility of ownership that makes me more comfortable forming impressions of its characteristics.



These are all reasons why I differentiate "bicycle reviews" - which I limit to the bikes I own, from "test ride reports" of the bikes I try. And I also mention how long I'd ridden the bike at the time of the review, so that the reader can factor that in. For instance, riding the Abici for an entire afternoon around the city and riding my friend's Retrovelo for a good portion of our long trip through the countryside, were quite different experiences than riding the Trek Belleville for 10 minutes on the side streets adjacent to the bike shop. And, riding my own Gazelle, Bella Ciao and Pashley were different experiences still, and my impression of these bikes takes hundreds of rides into account.



Ultimately, I feel more comfortable offering an opinion about bikes I have owned, however briefly, than on bikes I have merely test ridden or borrowed. And I am considering what that means in terms of Lovely Bicycle. Should I try to make it a point to own the bikes I feel would be especially interesting to review, and then later sell them, accepting the loss as part of the costs of running this blog? It's a neat idea, but probably not financially feasible. Extended borrowing would be the next thing, but there are all sorts of logistic and conflict-of-interest problems when it comes to that as well.



How long does it take you to get to know a bicycle? Is a test ride enough, or do you have to own it for a couple of months before you really feel familiar with it? When you read reviews and test ride reports, do you pay attention to how long the author has been riding the bike and factor that into your impressions? Finally, what do you think is the optimal time period to wait before writing a review?

Anubis FWA

The Comb showing the line of Anubis, on the day of the ascentQuite unexpectedly, I managed to complete my long term ambition to make the first winter ascent of my own summer E8, Anubis on Ben Nevis. The number of hours to finish the lead might just be countable on one hand, and completely exhausted me for the following three days. In other words, I completely went for it.



Starting up the initial overhang Photo: Christina BellIt seems to contradict reason, but it seems clear to from my experience that there are many different states of mind which seem to work well for bringing out the best (or should it be worst?) in climbers for hard leads. ‘confident and solid’ is most consistent, but suffers often from nerves and fear of failure. ‘Invincible’ can produce moments of sickening boldness/recklessness, but always makes for a short career in climbing. ‘Angry’ is only really good for pull-ups. Climbing is too delicate for it’s unchannelled release of energy. ‘F**k it, what have I got to lose?’ was where I was at on the crux of Anubis. Life is too short for caution when you are on the right route, at the right time. So I dispensed with caution.A small gear ripping fall on the initial wall leading to the main roof helped a lot to relax the body. I had been needing that for about two or three seasons. I started again. This time climbing like I wanted to get higher.



Crossing the crux roof Photo: Christina BellSeveral hours later, with nothing left in my arms, my feet slipped off again on the final headwall, well out from the last gear. I had the eyeball bulge of a leader with three seconds to find a solution or fall. A footless speed-downclimb of about 8 moves and kung foo kick back onto the footledge under the roof saved one more chance to get to the belay. Christina burst out laughing at the sight of it. I laughed as well, after a minute or two.Next time up was my last strength, so I got there. I pulled through my 70 metre ropes, tied them together and kept going up the comb in a 140 metre pitch, before untying and continuing up the ice grooves, and eventually standing in the quiet of the summit by myself for a few minutes.Grade in winter? No idea. I’ll have a think about it. I haven’t ever tried or done anything harder in winter. I guess there are worse chores than grading your hardest route. The route started as an idea to see if it was possible today to maintain the Victorian mountaineering tradition of opening a new climb in summer conditions, and progressing to an ascent in winter. Great that it’s still every bit as possible as it was a century ago.





The highpoint of my 2nd attempt, the other week Photo: Andy Turner





Anubis in summer E8 mode Photo: Cubby Images



Postscript: Just before I posted this up I read a timely post on Ian Parnell’s blog with a full list of all the routes of grade IX and above. I can’t say it really helped that much for making a wild and disclaimer-ridden stab at a grade for Anubis. But what did stand out was the consistency of routes which are often reasonably protected HVSs working out at IX in winter. There are of course some E2s and up to about E4s that have been done as winter mixed routes, generally where the cruxes involve cracks. Anubis, although dramatically harder at E8 does have a useful short crack at the crux, but then a section of E5 6a face climbing on small crimps. Bla bla… the long and short of it is I do think it’s a significant step up from any of the routes I’ve done. The crux is not much harder than Don’t Die, but then the rest is like stringing three of the IXs on Ian’s list together. So maybe it’s XII if my other two routes are really XI. Or if The Hurting and Don’t Die are really grade X then Anubis might make it into XI. I’ll keep thinking about it...

Mt Rainier Update

It's been far too long since I've posted... So what's going on at Mount Rainier? Lots of road repair, but very little climbing and hiking. I snapped this image of the Carbon River Road on Saturday, Jan. 13th. For the most part, hikers/skiers/climbers are limited to the main road corridors, unless they'd like to bushwack.

On Sunday, the 14th, I hiked to Camp Muir under calm, clear skies. Though the temps were well below freezing, I wore only light clothing the entire way. Camp Muir and most of the buildings were encrusted in ice and firm snow, however, and access to the Public Shelter was straightforward and easy.

The snow conditions (ski/board) below Pan Point were absolutely fantastic. Over the past week, there has been a prolonged cold snap throughout the Pacific NW, which left great backcountry skiing and climbing conditions around the region. Even in Seattle, there was snow on the ground for more than 72 hours. As for the route to Camp Muir, I needed snowshoes up Pan Point, but things firmed up nicely above 7K.

Speaking of snow, there is over 130 inches on the ground at Paradise (nearly 350 total inches this fall/winter). Not bad for an El Nino year (predicted by climatologists to be warmer and drier).

In the meantime, David Horsey of the Seattle PI decided that Mt. Rainier needed a cartoon.

Hershey ZooAmerica

Today Nathan, Aric and I went to visit the Zoo here. It was founded by Milton Hershey and is celebrating it's 100th anniversary. All of the animals are native to North America which was interesting to us. We practically had the zoo to ourselves which meant we spent as long as we wanted at each exhibit.



We are even more fond of these majestic creatures after our time with them in Michigan.

We are less fond of these animals after our time in Ohio at a park where they covered our patio with their gifts each day.

This guy is about the same size as the bear that Nathan got up close and person with in TN. I wish the bear we saw in the wild seemed as zen as this one. I might have been a hair less nervous then.

These two fought the entire time, and I'm pretty sure they were males based on how they fought.

This most likely was the female, because as soon as she saw they were fighting she came over to check it out. In fact, I think she is Mom because she has that look on her face like, "I can't leave you two alone for five seconds!"

This beautiful animal was checking out a bunny rabbit that was running free, so he couldn't be bothered with us at all.

And this is the beautiful creature I wanted to bring home with me:

Living the life in Pennsylvania!

Can Stop, Will Stop: TRP Mini-V Brakes

I have embarked on a long term test ride of a Honey cyclocross bike, similar to the one I rode in the Kearsarge Klassic last summer. When asked about component preferences on the demo bike, one thing I requested was stronger brakes. I had remarkably poor stopping power with the cantilever brakes on the bike I'd borrowed earlier, and I generally have not had good luck with cantis. I described these problems to Honey and we decided to try v-brakes. They suggested the TRP CX8.4 "mini-vs."




The TRP CX8.4 linerar pull brakes were designed for maximum stopping power oncyclocross bikes. Unlike full sized v-brakes, they were also designed to work with integrated road levers (this particular model works best withCampagnolo and SRAM)without requiring an adapter- reducing bulk, weight and complexity. These brakes have a number of features to recommend them for cyclocross racing, but having no experience with that side of things I will stick to describing them in the context of "just riding."




Under my weak grip, theTRPs feel reassuringly powerful. Those with strong hands could in fact find this problematic, but for me it is a welcome change from having to worry about stopping a fat-tire roadbike with cantis at the bottom of a hill. This is the first time I have used v-brakes on such a bike, and the quality of the braking does feel different from centerpulls and cantilevers. I have to apply pressure differently to regulate exactly how much I want to brake, but it didn't take long to train my hands to "understand." When attempting to slow down at high speeds, the braking is not harsh or jerky, but it is stronger than typical - so it helps to have a gentle touch, or else to use only one finger on the lever. For harder braking, there is a luxurious, modulation-friendly margin before coming to a full stop that I find especially helpful. In the past, I have had to get creative in order to stop on downhills during unpaved rides, and I've even employed my foot as an auxilliary brake on a couple of occasions. The TRPs are at their best precisely in those situations.




I have ridden the bike only a couple of times so far, but our winter conditions have allowed me to immediately try it on snow and slush. Getting the rims slushy did reduce braking power, but there was so much of it to begin with that it remained manageable. Basically, with the mini-vs the bike rides with slush-clogged rims like it did with dry rims when it had cantis.




The Honey cross is set up with a carbon fiber fork, and I have not detected any judder with the TRPCX8.4s. These brakes easily clearthe 700Cx35mm tires currently on the bike, and look like they could fit a fender. My understanding is they will not clear a 650B x 42mm tire; for that full sized v-brakes may be required.




With an MSRP of $149 per set, the TRP CX8.4 brakes seem like an excellent and accessible option for those seeking extra braking power on a roadbike with canti/v bosses. As I get the opportunity to try other brakes worth mentioning, I will continue the "can stop, will stop" series (See also: Paul Racer centerpull brakes).

The Death of Ruth Joslin :: 1830

Official death records were not kept in the early days in Ohio. Then, as now, people often relied upon the local tabloid for news of their friends, neighbors and relatives.

Carol Willsey Bell compiled "Delaware County, Ohio Genealogical Abstracts" in 1980 and on page 51 we find the following entry, citing the Ohio State Gazette: "Sept. 16, 1830 - Died in Liberty Tp. on 27th ult, MRS. RUTH JOSLIN, w/o Jonas, age 59 years." The term "ult" refers to the previous month, i.e. Ruth died on August 27th 1830.

In 1992, Mary V. Reed compiled "Abstracts from Miscellaneous Delaware County Ohio Newspapers 1821-1857" and on page 49, citing the Ohio State Gazette and Delaware County Journal of September 16, 1830 is the entry: "Died in Liberty Township on the 27th ult. Mrs Ruth JOSLIN, aged 59 years wife of Mr. Johns JOSLIN."

From another "Joslin" researcher, I found out that Ruth's tombstone resides within the confines of the Delaware County Historical Museum, or at least it did several years ago. The inscription was transcribed as "Ruth wife of Jonas Joslin died Aug 27, 1830 aged 59 Years."

In this online listing, Ruth is shown as having been buried in the "Joslin Cemetery" along with Jonas Sr. The cemetery is shown as #9 on this map and was located in the southern portion of Liberty Township near the Franklin County line. From its location, I am presuming that the cemetery was on the Joslin farm.

The Bicycle Photographer

A couple of weeks ago, I had the pleasure of working withHeather McGrath - a woman whose excellent photos have graced many a magazine page and gallery wall. Those who love bicycles might also recognise her work from framebuilders' websites and cycling blogs: In recent years Heather has made quite a name for herself as a bicycle photographer.




In the course of running this blog and plunging deeper into the bicycle industry, I have thought about the relationship between cycling and photography. Many seem to get into photography as a result of riding their bikes. Perhaps it starts with wanting to photograph the scenery they encounter on a ride, or the bike itself. Over time taking pictures becomes a hobby and the rider's photography skills improve, sometimes to the point where they turn professional. Another scenario is where an established professional photographer becomes a cyclist, thereafter focusing largely on bicycles and cycling. Either way, bicycle photographers are almost invariably cyclists themselves. They have to be, to truly understand how to capture the defining characteristics of our beloved two wheel machines, as well as of those who ride them and make them. And Heather - as a daily cyclist, friend to local framebuilders and owner of a handbuilt bike - certainly understands all this. Ever wonder what being a pro bicycle photographer entails? I post a brief conversation with Heather below.








You describe yourself as an editorial photographer. In your own words, what does that mean?


I get hired mostly by magazines. But ad agencies hire me as well.



Roughly what portion of your projects would you say are bike-related?



A good portion. I have been very fortunate in this. I always marketed work that was directly related to my life. I just kept shooting for myself and the things I loved, and assignments started following. The bike industry has responded very well to my eye.



Do you recall who was your first bicycle industry client, or what was your first bike-related photo shoot?



My first shoot that got me anywhere was just of my friends who lived in LA at the time. I came out with my Mamiya 67 and just hung out and shot a few frames. Some of the shots ended up on my first promo which lead to my first assignment withBicycling Magazinea couple years later.





Do you get to travel for work? What sort of places have you recently traveled to?



I do. I have been flown to California, DC, Oregon, Austin, etc., for clients. I also travel alot for myself in pursuit of more photos for my portfolio. I actually just came back from a 7 week backpacking trip to the Netherlands, Croatia, Sweden, Norway and Iceland. I am going to start marketing these photos to travel companies and hopefully get more work there.



You've mentioned that for years you did not have a car and carried your photo equipment by bike. Can you describe your setup?



Thank god I have a strong back! Usually I just have my Bailey Works bag with a little subdivider in it with the body and two lenses. I don't light usually so I can travel light. But one time before zipcar existed I had a big shoot about 8 miles from my house. It was a big magazine and I was super nervous and of course it was about to rain right before I was about to leave. So there was no time to take the bus or anything. I packed up my huge Lowepro Trekker 2 bag which is supposed to be waterproof. I overpacked with lights and stuff I really didn't need because I was nervous. I threw in an extra set of clothes. attached a stand to one side of the bag and tripod on the other. And of course the downpour starts while I was en route. Like completely soaked to the underwear. And when I got to the house It had just stopped and this poor family had to open their doors to a girl who looked like a drowned rat with about 20lbs of gear on her asking to use the bathroom before we shot...





You own a beautiful handbuilt bicycle by Geekhouse. What made you decide to get a custom bike? Did you give the builder criteria as far as what you wanted in a bike?



Geekhouse wanted to make me a bike that was going to be a part of their NAHBS show bikes that year. Together we brainstormed ideas and colors. We all wanted something really classic looking. And my most important request was no toe overlap. I love track frames but I was sick of the toe overlap. A lot of the details of the bike were a surprise from the boys. They wouldn't even let me see it until it was completely done. I was there first curved fork and Brad made me my own monogram on the handlebars. I honestly think about how much I love that bike every time I ride it. I would never buy another bike that is not fitted to me.



[Note: See studio shots of Heather's bike here. Also: The basket pictured here does not actually live on the bike, just a joke.]





Are there any special challenges for you in photographing bikes compared to other types of photo shoots?



The hardest thing I have faced is keeping my shot in focus. I have all manual focus Zeiss lenses usually kept at f2.8 or lower and I'm often shooting motion or riding with the subject and have to have both hands on the camera and just look through the eyepiece to even see where I am going! You have to be able to stay on your bike, not hit anything, keep a good frame, and keep the person sharp! But I like these challenges. So I see it more as fun than torture. Another good story was when I was shooting the Lucus Brunelle shot for Bicycling Magazine. I had my assistant riding me around the city on a moped. I had no feet pedals, and makeshift belt keeping me and brad back to back. I just held on with my thighs and kept my feet in the air! We did this for about 2 hours. and the whole time manual focusing everything while we zipped in-between lanes of traffic at full speed. Luckily I grew up riding dirt bikes so I had no fear in any of this. We got really lucky though at the last shot when we found the police car that Lucas could skitch on. The police never looked over and it was hands down the best shot of the day!



Any advice for amateur bicycle photographers considering venturing into paid work? Do you think a formal education in photography is essential?



You don't need a formal education. I almost dropped out of my own photo school. I had already been a professional retoucher and a graphic designer before I decided to be a photographer, so I came into the industry already knowing the back end. But because of those skills I was able to keep retouching for ad campaigns while I was working on my photography career. Eventually I didn't need to retouch anymore. My suggestion is to sacrifice your social life while you work on your skills. Assist as many other people as you can. And shoot what you love. That's how I got here and I am very grateful.





Having worked with Heather, I would describe her approach to photography as intuitive, fluid and thorough - focused on staging lively and realistic scenarios which can then be captured as still images. Heather uses both film and digital equipment. She prefers to ride fixed gear, and usually rides in her regular clothing and shoes, using pedals with toe straps. She commutes by bike around Boston, using her car when needed to transport props and large equipment. Whether working in her studio in Boston's South End or on location, Heather is good, really goodat what she does. And her taste in bikes is none too shabby either.

Overthinking the Pink

A couple of weeks ago I got the inexplicable urge to redo the handlebars on my Rivendellwith pink bar tape.I don't know. One day I was looking at the bike and suddenly felt that the earthtone and twine thing was getting kind of oppressive. The bike wanted to break free. Withthe streets growing more dreary with each passing day, a burst of colour was sure to break up the monotony. And that it certainly has: Now I feel as if I am riding a bike made of watermelon, or an enormous piece of tourmaline. It's nice and cheerful.



Of course, unlike other cheerful colours, pink is somewhat charged with meaning because of its associations with stereotyped femininity. So I was not entirely surprised to receive an email from a reader eager to discuss my new handlebar tape. She was disappointed that, while my choice in bicycle colours and accessories had hitherto been "the antithesis of girly," now here I wasreinforcing the industry stereotype of women wanting pink on their bikes.

Heavy stuff. And as usual I find myself disagreeing and agreeing all at the same time. On the one hand, there is Elly Blue's post about "reclaiming pink." There is also the fact that originally, pink was considered to be a colour for boys. Finally, there is the Maglia Rosa of the Giro d'Italia- shouldn't that association trump the girly one?

On the other hand, I've heard too many women express frustration at the fact that the bicycle industry slaps pink colour schemes and floral motifs on everything that is designed for female cyclists ("shrink it and pink it") - from bike frames, to panniers, to cycling jerseys. I too find this annoying. But having thought about it for a couple of years, I suspect the real frustration here is that women-specific bicycles and products are oftentimes worse in quality than those designed for men. So the pink and flowery stuff, in combination with the inferior quality, is seen as a slap in the face: "Our marketing team believes you care about pretty colours and flowers more than you do about substance, so that is what we are selling you."

Ultimately, I think that pink is a more versatile colour than we give it credit for, particularly in the context of cycling. It is really all about presentation. I will probably not keep the pink bar tape on this bike in the long run, simply because it overshadows the elaborate lugwork that really deserves the starring role here. But for now I quite like it, stereotyped or not.



What comes to mind when you think of pink bicycles or bike related products - Giroor girly? or something else entirely?

Pretty in Pink

I've been threatening to buy Coco a pink collar since she became a family member. The poor girl gets called a boy by everyone. I know how much I'd hate that, so I really feel for her there. Since Austin left her with us for the week, I took full advantage of it. In trying to snap some shots to show him how nice she looked, I realized that pets are like kids when it comes to taking pictures of them. It starts with trying to get them to get close enough and to hold still.



Wait a minute...that's a bit too close. Coco...oh drat...squirell!



Let's just call this one good or we'll be here all day.





So what do you think about the pink collar? Can you tell she is a girl now? Living the life in Florida!

Winter Afternoon on Mink Bay

A recent winter afternoon along the Lake Superior shoreline in Ontario. We had really nice clouds all afternoon and the sun kept shooting rays of light down between the clouds. I really liked the cracks in the rocks shown here, and how they draw your eye into the scene.

Ijzerenleen: Champs Elysees of Mechelen

Because of my Fine Arts degree (I secretly wished I finished Economics or Business Management) I am appreciative of art and architecture.

I love creativity. During my elementary and high school years I used to be the artist of the class but nowadays I dabble in IT sales-marketing-promotion-incentive types of creativity for work. Not really the same but creativity is in the mind, in the personality and character of the person. One cannot argue that it’s in the DNA. A creative person will make creativity happen.

So anyway, while walking around Mechelen, I quickly noticed the lovely guild buildings on Ijzerenleen. They really stand out and I must take pictures of them.

Belgian (and Dutch) architecture is based on Gothic Renaissance architectural character. Belgian architecture though has more Baroque influence than the Dutch and one can see it clearly on its facade details.

Later, I found out that the locals dubbed Ijzerenleen street as the ‘Champs Elysees of Mechelen’. Hah cool! I was indeed correct with my hunches =)

On the Ijzerenleen you can find many traditional and specialty shops selling cigars to cheeses and wines. It is one of the main streets that leads to the Grote Markt or the big main square.

On Handmade Bicycle Shows

[image via prollyisnotprobably]


Continuing with the theme of framebuilding, today is the first day of NAHBS - the North American Handmade Bicycle Show, held this year in Austin, Texas. I received a couple of invitations this time around and for a brief moment considered going... then remembered the state of my finances and swiftly came down to Earth! Besides: To tell the absolute truth, my feelings on NAHBS are mixed.






[image via YiPsan Bicycles]


On the one hand, NAHBS is a great thing. A trade show where some of the best independent framebuilders and component manufacturers showcase their newest work, it is a spectacular multi-day event. If you are into handmade bicycles, attending the show will enable you to visit numerous framebuilders all at once, compare their work, and chat to them about their process. There is also media coverage, which gives exposure not just to individual framebuilders, but to the culture of custom bicycles at large.






[image via Retrotec & Inglis Cycles]


New designs, accessories and components are shown off at NAHBS, making rounds on the bicycle blogs and giving us all something to talk about for weeks.






[image via J. Maus]


So, what's the downside? I think there are several issues here. First off, it seems to me that the culture that has developed around the show creates unfair pressure on framebuilders to exhibit, which in turn is a huge financial strain for most of the builders. The fee for a booth at NAHBS is quite a large sum. Add to that the price of airfare and housing, plus the transport and insurance of numerous expensive bicycles, and the cost of exhibiting quickly adds up to several thousand dollars. Most framebuilders I know - even the "big names" - can hardly make ends meet as it is, and feeling compelled to exhibit at NAHBS every year and swallow the expenses involved makes life more difficult still. While it is true that no one is forcing them to go, there is implicit pressure. With NAHBS positioning itself as the biggest/greatest handmade bicycle show, potential customers who follow all the hyped up coverage start to expect framebuilders to exhibit at NAHBS. It is as if exhibiting in itself is perceived as a sign of industry recognition - which in actuality it is not: Any framebuilder with appropriate credentials can pay for a booth.



The other major issue for me, is that I am simply not a fan of centralised and grandiose anything. I don't like the idea of there being "the" handmade bicycle show,which is how NAHBS presents itself. Instead, I'd prefer numerous smaller, regional shows, where the framebuilders exhibit on their own turf and visitors get to see not just the bikes themselves but also the flavours of the local framebuilding cultures. To me such a system seems more interesting, more diverse, and less wasteful of resources than what we get with NAHBS. I know that many may not agree with me, and I mean neither to offend nor to push my views on others - but that is how I see it. We do currently have some regional shows, and my wish is for them to grow stronger and more influential in the years to come. I heard great things about the Philly Bike Expo last year, and will try to make it to the New Amsterdam Bicycle Show in NYC this April. While I follow NAHBS with interest, I do not consider it to be a fully representative display of framebuilding talent.

No Paratrooper Training Required

When I saw the Pashley Parabike and Penny at Interbike last year, I was not sure what to make of them. "What are they for and how do they ride?" were my questions. This summer Pashley sent a pair to Harris Cyclery for me to try, and I still struggle to find the words to describe them. One thing is certain: These bikes have little in common with the Roadster and Princess models the brand is known for. I will write about each separately (Penny review now posted here).






In a sense the Pashley Parabike is a replica of the WWII-era BSA Parabike, also known as the Airborne. But unlike Pashley's remake, the original Parabike was a folder. Here is one I was lucky enough to see in person - hinged and cleverly constructed, albeit monstrously heavy. Paratroopers would jump out of planes with the bikes strapped to their backs, then re-assemble them once on the ground and ride away. They must have been very strong, those fellows.






I'll be honest here: The fact that Pashley copied the look and even the military colour scheme of the Airborne but not the folding functionality, biased me against the new Parabike at the start. I suspected it was mostly decorative and intended for military paraphernalia enthusiasts. But as the bike went into distribution I started hearing positive things about it, and so I tried to keep an open mind.






If I let go of my "but it doesn't fold like the original!" grudge, I have to admit the construction is interesting. Pashley calls this a "duplex-tube" frame. In place of the top tube and down tube are sets of twin stays, like on a mixte.The frame construction, from what I can tell, is very similar if not identical, to the Tube Rider and the (no longer produced?) Paramount models, save for the colour scheme.






The upper and lower sets of stays curve away from each other, giving the frame a balloon-like appearance. The whole thing is brazed cro-moly steel.





Lugged fork crown.






There are little bridges, connectors and braze-ons everywhere, arranged in a way that manages to not make the frame look busy.







The construction around the bottom bracket is interesting and complicated.








I am guessing the purpose is to provide extra support for the lower set of stays.




The seatpost is quick release. The aged Brooks B67 is the stock saddle. There are fenders and braze-ons for a rear rack, though no rack is included.





Chainguard.






Braze-ons for one water bottle cage.






Mildly swept-back handlebars with short, raised stem.







Faux cork grips, hub brakes, Sturmey-Archer 5-speed hub. I don't have a good close-up picture of this, but the frame has horizontal dropouts with a derailleur hanger.





The Parabike is one size only, described as 19". The wheels are 26" with 1.75" Schwalbe Marathon tires. Basic Stronglight crankset with platform pedals. No toe overlap with my Eur 38 sized shoes.





I test rode the Parabike over the course of several miles, and mechanic Jim (pictured here) rode it briefly as well. We agreed it is a cool bike, and we agreed that it's hard to describe. But let me try. Two main impressions stuck with me. One is the excellent ride quality over bumps - by far cushier than the Pashley Princess I used to own. Not that the Princess was harsh; it just wasn't impressively cushy compared to, say, Dutch bikes. The Parabike, on the other hand, felt like butter over potholes. While its tires are a bit wider, I don't think that is enough to account for the different feel. It could it be the springiness of the "duplex tubes." The other impression I was left with was that of maneuverability and zippiness. The handling is all together un-roadsterlike, with greater agility and what I think is a lower center of gravity. The bottom bracket is lower, the rider does not sit up as high, and overall the bike comes across as being rather compact. Of the bicycles I've tried so far, the Parabike rides most similarly to the city bikes with mountain bike heritagegroup. However, it is a more compact and lighter-weight bike.





Stepping over the Parabike in a skirt wasn't elegant, but doable. With true diamond frames I tend to be clumsy in this regard, but the curve here makes it a bit easier to lean and step over without having to swing my leg over the back. The fit of the 19" frame felt pretty much ideal for me, though on my own bike I would lower the handlebars.



The main problem I see with the Pashley Parabike is its identity. I like how the bike rides, but I am still not sure what it is for. I think the handling and durability (hub brakes and gears, tough powdercoat) would make it a great transportation bike - including in winter climates and seaside locations. But for a transportation bike, it is missing the rather crucial lights and racks. Although eyelets for a rear rack are provided, it will be difficult to find a suitable model for a bike so unique-looking- a topic I'vecovered before. I wonder whether Pashley has plans to design a rack specifically for the Parabike, or at least to source one that looks appropriate. An option with dynamo lighting would also be welcome. Of course if the bike is intended mainly for recreation, these practical considerations are less important. But then the hub brakes and fenders and chainguard seem overkill to me - I'd be tempted to strip it down, lighten it up, and ride it on trails.






Finally, to return to the Parabike's historical reference: Admittedly, I have not actually ridden an original BSA Airborne Parabike. But there is nothing about Pashley's remake that reminds me of a vintage bike other than the look. The ride quality feels distinctly modern - 90s mountain-bikey, in a good sort of way. It is a neat bike that is fun to ride, and the visual/historical aspect adds a layer to it that I don't quite know what to do with or where to fit into this write-up. It's as if the two things are entirely separate.




Pashley bikes are hand-built in Stratford-upon-Avon, England. The Parabike is available in "ash green" (shown here) or "dusk blue" - a dusty indigo. Current price is $1,195. Both the Parabike and Penny demo bikes are available for test rides at Harris Cyclery in West Newton, MA. A separate write-up about the Penny is forthcoming.